Dutchman is an emotionally charged and highly symbolic version of the Adam and Eve story, wherein a naive bourgeois black man is murdered by an insane and calculating white seductress, who is coldly preparing for her next victim as the curtain comes down. The emotionally taut, intellectual verbal fencing between Clay and Lula spirals irrevocably to the symbolic act of violence that will apparently repeat itself over and over again. Baraka's play is one of mythical proportions, a ritual drama that has a sociological purpose: to galvanize his audience into revolutionary action.